BIBLIOGRAPHY 4
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Tregde, D. (2013). A case study on film authorship: exploring the theoretical and practical sides in film production. Elon Journal of Undergraduate Research in Communications, 4(2).
Tregde (2013) studied the issue of film authorship which explored several theoretical aspects of film production. In the article, it is presented that there is a problem of authorship. The scholar categorizes authorship theories of films into three categories; collaborative, writer and auteur. He presents some outstanding facts about auteur theory which is seen to form debates concerning its disapproval. The author argues that the feature films usually are not developed by single persons. Usually, directors collaborate and share ideas for the production of the film. The information provided in this article is resourceful in providing insights about the importance of collaboration between the various directors and authors of films. Such collaborative theories present the importance of having various directors of films working together to produce a film. This information is very resourceful in providing details of how directors collaborate and what challenges are apparent in such collaborations.
Chaudhuri, A. (2013). Auteur Theory and its implications. International Journal of Advancements in Research & Technology, 2(11), 77-89.
In this article, the author provides information about the director’s film involvement as specified by the auteur theory. It is apparent that the theory holds the fact that there is the power and aspect of creative vision which is presented by the involvement of directors in film production. He argues that the voice of the auteur is unique and would shine in all various forms of studio interference. The auteurs are viewed as creators of film and they are the original copyright holders. The information in this article provides insights of how auteur is important and how it works. The author provides information also concerning the regulatory frameworks that guides the auteurs and the ownership issues. Such information would be resourceful in my research paper in providing insights concerning the issue of collaboration among directors.
Lindsay, V. (1970). The art of the moving picture. WW Norton & Company.
In this article, it is apparent that directors influence other directors. In the development of films and motion picture, it is apparent that the scenery presented by the directors influence how other directors set the story and actions towards such film. Hence, from this article, it is apparent that directors play a big role of collaboration. The directors play a big role in providing ideas and scenarios. An example provided by the author concerning this is that of Lillian Gish action film who is seen to would have been given wand and wings if the scenario writers and directors had the believe of fairies (Lindsay, 1970). Hence, it is apparent that there is an influence of a director with other directors.
This article provides a brief history of filmmakers and the theory of Auteur. With such information, it would be possible to understand the concept of unique style of auteur. In this article, Auteur Theory is presented as a technique of viewing cinematic techniques and methods as artwork. The Auteur theory has facilitated in assisting the consecration of film as sanctified arts. It is presented that good directors usually result to influential and good films. With this technique, it is possible to expose the character motives and underlying meanings associated with film products. The article presents various ways through which the auteur theory has been evolving and being applied in film production centers such as Hollywood. It is apparent that the auteur theory has been trying to connect with the environment such as the depiction of cold ware and the world war.
Caughie, J. (2013). Theories of authorship. Routledge.
In this article, there is the presentation of the theory of authorship. It is apparent that the Cinema is seen as a means of expression just like the way arts are and the paintings. It is seen as the form in which artists express their thoughts. The article presents the traditional approach of auteur which was used in French films to identify the author that wrote a script or the film artist. The article presents various examples in which the auteurs is presented and its effect is seen in the film industry. It is argued from the article that a film would be valuable if it is the director’s product. This advocates for the director to take the role of an artist. The director is presented as someone who is able to frame his or her personality in the film and use the styles to present the concepts of the film. It is presented that the film or cinema is an art and this is an expression of the artist’s thoughts. This book provides insights on auteur theory. It would be resourceful in my research in understanding the importance of the directors attaining the aspect of an artist. It presents the evaluability of the authors and directors as artists of the film. The role of directors and collaboration as artists in a film is presented in the book.
The post Tregde, D. (2013). A case study on film authorship: exploring the theoretical and practical sides in film production. Elon Journal of Undergraduate Research in Communications, 4(2). appeared first on Versed Writers.
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