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Ancient Khorason Analysis Reponse Paper
Write a brief analysis and follow-up question(s) in response to the text. **Your follow-up questions should relate directly to the text and require thoughtful responses. Ideally, we should seek to compare/contrast between the texts we’ve read so far, explore major themes and values, and identify contemporary applications for these texts. Form: Prose Genre: Epic Country of Origin: Khorasan (now northeastern Iran and adjoining regions of Afghanistan) Key Themes: History, Creation, National Identity, Heroism, and Royalty Summary: This text opens with the creation of the wold and ends with the lineage of medieval Persian kings. Shahnameh has one eye on the glories of the past and one eye on the turbulent court politics of the day. It encompasses many genres and can be divided into three parts: a brief opening that focuses on origin myths a longer section about the heroes of Persian antiquity a third section about the history of Persian kings Key Passages: “When nine months had gone by she gave birth to a boy as splendid as the sun. Ancient Khorason Analysis Reponse Paper. Because of his stature and splendor, and the sweet smell of his flesh exhaled, she named him Sekandar, after the herb that had cured her of her malady.” “I will send you on your way in safety, but you, my lord, must be reasonable and swear that you will never plot against my son, my country, or any of my people or allies, and that you will refer to me only as your equal, as the ruler of my own country.” “When Sekandar’s body reached Alexandria the world was beset with new disputes. The coffin was set down on the plain, and the land was filled with rumor and gossip.” Abolqasem Ferdowsi: Shahnameh This text as written under the patronage of the Iranian Samanid rulers of Khorasan and represent a shift from Middle to New Persian language. Like many of the epics we’ve read so far, Shahnameh contains creation myths and genealogies, establishes a national identity based on Persian heroes, and details the history of kings all while interweaving various stories and supernatural elements. How does this epic compare to the ones we’ve read so far? What’s similar and what’s different? Nearly seventy (70!) kings are mentioned in this text, but only a handful of women appear in heroic or leadership roles. Women’s rights, even those of royal women married to kings, were limited in ancient Persia (think of “The Birth of Sekandar” as an example.) Female characters tend to belong to the common public (as merchants or matchmakers) or feature as court ladies with domestic responsibilities. Heroic women appear with qualities of beauty, tolerance, wisdom, and chastity while “broken” or “seditious” women appear with negative physical features and commit depraved acts against their spouses. How does the portrayal of royal and high-status women compare to some of the other texts we’ve read so far? Ancient Khorason Analysis Reponse Paper
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